Purses Part 11: Finishing Up the Frame

Last time I created eight gauge bronze wire wire purse frame rings and fitted them to the purse frame, but now we have to hold it all together.

When I was doing my original research I noticed a number of purse frames that appeared to have some sort of washer on the end of the purse frame bars. I decided that I liked the look of the washer and that the washer would also make for a more secure anchor for the rings on the purse bar. So when I was creating the original waxes from the replica, I also created some round washers that I thought would look good on the purse bar. I admit I guessed at the size, based on the size of the purse, but when the time came to actually use them, they were the right size. Here is a quick picture of some of my original cast pieces, including the washers.


So I fitted the washers on to the purse bar, trimming the length of the purse bar end and smoothing it, and then riveted it together. And here is the result.


The look of the washer was the perfect finishing touch for the frame.

What I learned from the Riveting process. No matter how careful you are measuring and hammering, it doesn’t always work the way you want it to. I broke one pivot trying to rivet it, and I also broke a hexagonal washer by accidentally cracking it – the casting actually had a tiny crack in it that I did not notice. Having a hole in the washer that is too tight can also cause the washer to crack when it is riveted. The pivot will expand a little bit, and too much expansion can crack the washer. And then there is the purse bar itself. Yes, I broke one of those, too.


So where do I go from here? I will be working to fine tune the purse bar pieces. For a first try they are fairly close, but I will be modifying the pieces to make them a tiny bit sturdier, and I also want to improve the fit a little. Once I am pleased with the final look of the purse frame, I will be recasting it, and then I will be experimenting with casting purse frame rings. I really want to have the strength and stability of the “L” shaped purse ring and the ability to easily sew the purse bag onto the frame. And then what? I have a much larger broken purse frame bar that I think would make a really awesome larger purse…

Next time: How were purses used in period?

Purses Part 5: What Other Forms of Purse Frames Do We Find?

I often wonder if they asked each other “How many rings does YOUR purse have?” That may have not been the exact approach that Medieval people took, but purses were definitely an important display item.

The “typical” purse frame that I have shown you is definitely common, but it is by no means the only form that we find. One frame ring, two frame rings, three frame rings and simple wire rings are all found. The majority of the frames are made by casting, and are composed of some sort of bronze alloy or iron.

Let’s take a look at a two ring frame. This is a drawing of a purse that belongs to the British Museum. A quick glance will show that this is a small purse, probably used for coins. It is only about 5 cm (a little less than 2 inches) across at the support bar. The much larger, roundish purse frame rings allow a person to at least put their fingers into the purse to grab a coin, probably while pushing up the purse from the bottom with the other hand.

British Museum purse 1985,1101.92This is a particularly excellent example of a nicely built purse frame, Because amount of detail that they included in the drawing we can really see how the frame works. The drawing shows the lip that was cast on the purse frame ring to attach the bag of the purse.

The Museum of London has a purse frame of similar form that has had a modern velvet bag sewn onto it. If you go to the link you can see how the larger purse frame ring forms the cover for the purse, and the smaller ring, along with the two support tabs on the purse bar actually support the bag portion of the purse. This particular purse bag shows the purse frame loops almost completely covered by the fabric of the purse. There is no way to determine exactly the form of the original purse rings, because you can’t see them. The frame rings may not have had the pierced lip that allows the metal frame ring to support the purse bag while still showing off the metal of the frame. There is both a front and back version of the purse picture, which is great because it allows you to actually see all of the details of the frame, the velvet purse bag, and the way it was attached.

There are a considerable number of other types of metal purse frames, including some that are truly odd, and some that are totally over the top.

Next time: The Tip of the Ice Berg

Purses Part 4 What the Clues tell us and More about purse forms!

So last time we looked at the most common form for a large purse. And I mentioned that the picture of the purse held a very important clue.

Purse Frame Collage

Take a look at this composite picture. The left most picture shows the typical purse frame, and the right two pictures are of the piece of purse frame that I own. The picture on the top right shows the fragment of purse frame in the same position as the intact purse frame is in on the left hand picture. You can see that this purse frame fragment also has Niello decorations, this time in the form of floral swirls that act as spacers between words. DEO and H are the only visible letters on the frame fragment. The original inscription was probably “DEO HONOR ET GLORIA” – Honor and Glory to God. The use of standard inscriptions was very formulaic in Medieval times, but that is another blog.

The picture on the right bottom shows the cross section of the purse frame. As you can see, the frame is NOT flat, but rather L shaped. The back of the L, which doesn’t really show from the outside of the purse unless the frame is bent, is pierced to allow the bag portion of the purse to be attached. The two red arrows show two locations where the purse frame is pierced. I am certain that there are others, but these holes show because the frame is bent. The fragment of purse frame that I own has two holes in the back section of the frame that are 1 3/8 inches apart. Both of these holes are elongated from extreme wear and stress. Most purse frame pieces that we see show extreme wear. The main support bar is often bent and the holes in the frame that were used to support the fabric or leather bag usually show signs of wear. I have seen at least some examples where the top of the fabric bag was actually sewed to, and supported by, a heavy wire, which was then attached to the purse frame with wire loops. These wire loops would have put a considerable amount of point stress on the purse frame, causing both wear and stretching or bending of the purse frame. I would also suspect that purse frames, being an expensive item, were reused until they were totally worn out. It seems as if putting a new cloth or leather bag on a metal purse frame would have been a way to relatively inexpensively update an important accessory.

Before we go any further I should give a set of standard terms that I am going to use to describe purses. I have looked at a lot of purse frames in person and in online collections and my terminology aligns with what I see most of the museums using. Here is a graphic showing the basic purse frame with terms. It really isn’t that complicated, but having a set of standard terms will make it simpler when we are discussing the basic construction techniques that are used in the more complex purses later.

typical purse frame Parts

Next Time: What other forms of purse frames do we find?